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Baroque Piety: Religion, Society, and Music in Leipzig, 1650–1750

by Tanya Kevorkian
Hardcover |English |0754654907 | 9780754654902

Baroque Piety: Religion, Society, and Music in Leipzig, 1650–1750

by Tanya Kevorkian
Hardcover |English |0754654907 | 9780754654902
Overview


Drawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bach's time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both 'ordinary' people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.
ISBN: 0754654907
ISBN13: 9780754654902
Author: Tanya Kevorkian
Publisher: Routledge
Format: Hardcover
PublicationDate: 2007-08-22
Language: English
PageCount: 266
Dimensions: 6.14 x 0.63 x 9.21 inches
Weight: 16.0 ounces


Drawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bach's time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both 'ordinary' people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.
Editorial Reviews


Prize: Winner of the 2008 William H. Scheide Prize of the American Bach Society Shortlisted for the AMS Lewis Lockwood Award 2008. 'Through personal accounts, Kevorkian paints a detailed and intimate picture of religious activity across the strata of civic society. The story of Leipzig's public religious culture to 1750 emerges as one of great diversity and flux in a period of relative peace and economic prosperity.... Readers from social, political, and religious history should not be put off by the prominence of music in the title, and indeed, this review. ...a valuable social history. Music, in Kevorkian's book, as it was in Leipzig society, is but one thread in the rich fabric of public pious culture.' H-German 'In sum, Kevorkian has done important research in specific areas such as pewholding, consistory and city council records, and Pietist correspondence that enrich our understanding of religious affairs in Leipzig in the late seventeenth and early eighteenth centuries... it is a significant addition to the scholarly literature in the field.' Journal of the American Musicological Society '... this book provides a highly stimulating historical resource that will undoubtedly inflect many musical studies of Bach and his predecessors over the coming years.' Early Music 'A valuable contribution to Ashgate's growing catalogue of interdisciplinary studies... Baroque Piety provides new insight into how we consider the religious arena in early modern Europe.' Renaissance Quarterly 'Music forms only one strand of Kevorkian's interdisciplinary study, yet by considering Bach's work within the religious life of Leipzig, she offers a model of how music can be integrated within social history. ... [Kevorkian's] book is not only a sure-footed account of the religious sphere in which Bach worked, it should also stimulate new directions in research on eighteenth-century German music.' Eighteenth-Century Music 'Having a broad sweep of Kevorkian


Tanya Kevorkian is Associate Professor of History at Millersville University, USA.

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  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

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Shipping method varies depending on what is being shipped.  

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Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

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  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

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Overview


Drawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bach's time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both 'ordinary' people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.
ISBN: 0754654907
ISBN13: 9780754654902
Author: Tanya Kevorkian
Publisher: Routledge
Format: Hardcover
PublicationDate: 2007-08-22
Language: English
PageCount: 266
Dimensions: 6.14 x 0.63 x 9.21 inches
Weight: 16.0 ounces


Drawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bach's time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both 'ordinary' people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.
Editorial Reviews


Prize: Winner of the 2008 William H. Scheide Prize of the American Bach Society Shortlisted for the AMS Lewis Lockwood Award 2008. 'Through personal accounts, Kevorkian paints a detailed and intimate picture of religious activity across the strata of civic society. The story of Leipzig's public religious culture to 1750 emerges as one of great diversity and flux in a period of relative peace and economic prosperity.... Readers from social, political, and religious history should not be put off by the prominence of music in the title, and indeed, this review. ...a valuable social history. Music, in Kevorkian's book, as it was in Leipzig society, is but one thread in the rich fabric of public pious culture.' H-German 'In sum, Kevorkian has done important research in specific areas such as pewholding, consistory and city council records, and Pietist correspondence that enrich our understanding of religious affairs in Leipzig in the late seventeenth and early eighteenth centuries... it is a significant addition to the scholarly literature in the field.' Journal of the American Musicological Society '... this book provides a highly stimulating historical resource that will undoubtedly inflect many musical studies of Bach and his predecessors over the coming years.' Early Music 'A valuable contribution to Ashgate's growing catalogue of interdisciplinary studies... Baroque Piety provides new insight into how we consider the religious arena in early modern Europe.' Renaissance Quarterly 'Music forms only one strand of Kevorkian's interdisciplinary study, yet by considering Bach's work within the religious life of Leipzig, she offers a model of how music can be integrated within social history. ... [Kevorkian's] book is not only a sure-footed account of the religious sphere in which Bach worked, it should also stimulate new directions in research on eighteenth-century German music.' Eighteenth-Century Music 'Having a broad sweep of Kevorkian


Tanya Kevorkian is Associate Professor of History at Millersville University, USA.

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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